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https://smogfalls.gumroad.com/l/vgpun
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This week we'll apply some easy to understand concepts to craft an authentically 1950's jazz blues solo.. something similar to the smooth yet gritty stylings of a Bill Jennings, Billy Butler or Tiny Grimes.
Get your triads and chord changes at the ready and join me while we tackle a 12 bar in Bb.. with all the jazzy extras! ;)
⏱️TIMESTAMPS⏱️
00:54 - Learning the changes!
02:25 - Chord functions
03:46 - Getting fancy!
04:42 - Lead study breakdown
08:40 - Book a private Zoom lesson!
10:05 - ii-V thinking
10:37 - Charlie Parker bebop vocabulary
11:28 - Bill Jennings/Django style
12:42 - Turnaround ii-V lick
13:43 - Solo #2
14:12 - Classic piano-lick
15:51 - ii-V of IV
16:38 - E diminished 7th arpeggio
17:05 - Arpeggios within arpeggios!
18:32 - Blues scale broad-strokes
21:29 - Altered chord stabs; Shout Chorus style
22:33 - Thoughts
23:08 - Tone talk!
23:26 - A small favour?
Backing track (I purchased this and slowed the tempo to 112bpm);
https://youtu.be/xozxx-2U-Tw?si=i4AdWuqqZ3jJaGFX
Other related lessons of mine;
Jazz Blues lead study in F;
https://youtu.be/AEq2hZEZtr4?si=RD3-4YMiJC-984wE
Billy Butler’s “Honky Tonk Pt.1”;
https://youtu.be/W7tggU8JorQ?si=zzrE7SLbeCsU9okz
“Bill Jenning’s Big Boy” solo;
https://youtu.be/bO1-YyVfIB8?si=4ciPyA2mDreLk65z
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Gear used in this video;
1958' Gibson es175
Emprize Falcon
Universal Audio OX - amp top box
Universal Audio Apollo Twin X
Logic Pro
Universal Audio plugins
Sony ZVE-10 camera
Neewer Desktop Tripod
Final Cut Pro
Thanks for watching!
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