Unexpected Views: Katrina Palmer on an empty wall in Room 18 | National Gallery
Katrina Palmer is the National Gallery's Artist in Residence 2024. Here, she offers a different perspective on the Gallery's Room 18 and its paintings. Struck by an empty wall, the result of paintings being moved away from the vibrations caused by building work, Palmer's view, spoken by artist Ricardo Guimaraes, explores the impact of this displacement for Room 18 and beyond. Through paintings in the room, including Rubens's 'Samson and Delilah', his 'Peace and War' and others, her view addresses themes of change and movement, of gaps and displacement, and their repercussions.
Born 1967 in London where she also now lives and works, Katrina Palmer’s practice encompasses sculpture, writing, drawing, audio environments, performance, and video.
Palmer is best known for her investigations of sculptural materiality, which often involve written compositions and site-specific recordings to explore histories of absence within landscapes or institutional spaces. Her commission 'End Matter' for Artangel in 2015 saw her situated on the Isle of Portland where Portland stone is quarried. She produced an audio tour based on her writing during her residency on the isle which was turned into a play for Radio 4 and a publication.
? Find out more about Katrina Palmer: https://www.nationalgallery.org.uk/paintings/residency-programmes/national-gallery-artist-in-residence/katrina-palmer
#NationalGallery #ArtHistory #ContemporaryArt #Rubens
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The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10am - 6pm and on Fridays between 10am - 9pm.
Trafalgar Square, London, WC2N 5DN
https://www.nationalgallery.org.uk
Born 1967 in London where she also now lives and works, Katrina Palmer’s practice encompasses sculpture, writing, drawing, audio environments, performance, and video.
Palmer is best known for her investigations of sculptural materiality, which often involve written compositions and site-specific recordings to explore histories of absence within landscapes or institutional spaces. Her commission 'End Matter' for Artangel in 2015 saw her situated on the Isle of Portland where Portland stone is quarried. She produced an audio tour based on her writing during her residency on the isle which was turned into a play for Radio 4 and a publication.
? Find out more about Katrina Palmer: https://www.nationalgallery.org.uk/paintings/residency-programmes/national-gallery-artist-in-residence/katrina-palmer
#NationalGallery #ArtHistory #ContemporaryArt #Rubens
? Subscribe to our YouTube channel and never miss a video: http://bit.ly/1HrNTFd
Follow us on social media!
⭐️ Instagram: https://instagram.com/nationalgallery
⭐️ TikTok: https://www.tiktok.com/@nationalgallerylondon
⭐️ Facebook: https://en-gb.facebook.com/thenationalgallery/
⭐️ Threads: https://www.threads.net/@nationalgallery
⭐️ X, formerly Twitter: https://twitter.com/NationalGallery
Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/support-us
The world's greatest paintings to your inbox. Sign up to receive the latest news from the Gallery: https://bit.ly/3m0FY98
The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10am - 6pm and on Fridays between 10am - 9pm.
Trafalgar Square, London, WC2N 5DN
https://www.nationalgallery.org.uk
The National Gallery
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