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In this video from Berklee Online’s Practicing Techniques for Musicians course, instructor Barbara LaFitte teaches you how to effectively incorporate improvisation techniques into the music you play. LaFitte explains how improvisation has existed for as long as music has existed and has been documented as a way to create music as far back as the Baroque era. Without improvisation, says LaFitte, we wouldn’t have cadences. Violinist Clara Rose Chisholm plays a Baroque song that consists of a simple melody, but the chords and harmony change. Through the violinist’s demonstration, LaFitte shows how implementing a simple improvisation technique can make a difference in the piece by adding more originality and different tones.
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ABOUT BARBARA LAFITTE:
Barbara LaFitte held the English Horn position in the Boston Pops Esplanade Orchestra from 1994-2020, where she worked with John Williams and Keith Lockhart. She was also the principal oboist in the Boston Ballet Orchestra, the Boston Classical Orchestra, and the Rhode Island Philharmonic, as well as a member of the Boston Modern Orchestra Project. She can be heard on two recordings nominated for Grammy Awards: Boston Modern Orchestra Project’s recording of Stephen Mackey’s “Dreamhouse,” and Danilo Perez’s highly acclaimed jazz recording, “Providencia.” LaFitte is also the oboist on the theme music for the PBS program, “Frontline.” She has been a professor on the faculty of Berklee College of Music in Boston since 1994. She has also coached contemporary chamber ensembles and taught Woodwind Pedagogy at the Boston Conservatory at Berklee. LaFitte presents masterclasses about topics such as circular breathing, audition preparation, Nicolas Slonimsky, and more.
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Barbara LaFitte | Clara Rose Chisholm | Practicing Techniques for Musicians | Oboist | Boston Ballet Orchestra | English Horn | Boston Pops Esplanade Orchestra | John Williams | Keith Lockhart Grammy Awards | Boston Modern Orchestra Project | Stephen Mackey’s Dreamhouse | Danilo Perez | Providencia | Improvisation Techniques | Baroque Era | Classical Music | Mozart